chiselray wrote:greeney2 wrote:the USA is projecting.
their projecting thair racist past & values onto Australia, & Australian's.
Australia doesn't have the racist past / present of the usa.
http://en.wikipedia.org/wiki/Racism_in_AustraliaGive me a break Rath, and be sure to look at the "also see" at the bottom. Read all about yourself and your history past and present. My brother in law some of it first hand for a year down there.
no where near close to americas mistreatment of blacks..They had a long long history of enslaving blacks...All that repression from down your way greeny is not our backdoor rubbish ..
The issue HCJ has is his innability to context a situation correctly,i found his attitude of the skit as some kind of be and know all of what is right and wrong in all cultures...Our culture is fine in these situations when they are done in jest ..but Mr High and mighty comes in on his horse ,down on our values like some kind of martyre from the late 1800s

chiselray wrote:greeney2 wrote:the USA is projecting.
their projecting thair racist past & values onto Australia, & Australian's.
Australia doesn't have the racist past / present of the usa.
http://en.wikipedia.org/wiki/Racism_in_AustraliaGive me a break Rath, and be sure to look at the "also see" at the bottom. Read all about yourself and your history past and present. My brother in law some of it first hand for a year down there.
no where near close to americas mistreatment of blacks..They had a long long history of enslaving blacks...All that repression from down your way greeny is not our backdoor rubbish ..
The issue HCJ has is his innability to context a situation correctly,i found his attitude of the skit as some kind of be and know all of what is right and wrong in all cultures...Our culture is fine in these situations when they are done in jest ..but Mr High and mighty comes in on his horse ,down on our values like some kind of martyre from the late 1800s

The fact that Harry Connick jr & the people & press of the USA where so offended ........
speaks more about them than it does Australia & Australian's.
Lets face it .... why else would the people & press in the USA assume the guys in the Australian Jackson skit where white, .... white guys who painted their faces black
Because youes where projecting your own views onto Australia & Australians.
You all assumed these guys where white, because of your own (American) history.
I wonder why.

The 9 Most Racist Disney Characters#9. The Merchant from Aladdin
The opening musical sequence from the hugely popular 1992 animated film had to be edited due to protest from Arab-American groups for saying about the Middle East what most of us were merely thinking.
Lesson Learned:
The Middle East is a barren wasteland where the justice system runs on a clear and simple limb-removal policy.
http://www.youtube.com/watch?v=hPUAhSGZ ... r_embeddedBest (Worst?) Moment:
"Where they cut off your ear if they don't like your face" is the offending line, which was changed on the DVD to the much less provocative "Where it's flat and immense and the heat is intense." Whatever. Our question: In a city full of Arabic men and women, where the hell does a midwestern-accented, white piece of cornbread like Aladdin come from? Here he is next to the more, um, ethnic looking villain, Jafar.

#8. Sebastian from The Little Mermaid
In this 1989 film, a Jamaican-sounding crab teaches Ariel that life is better "Under the Sea," because underwater you don't have to get a job.
Lesson Learned:
Up on the shore they work all day
Out in the sun they slave away
While we devotin'
Full time to floatin'
Under the sea!
http://www.youtube.com/watch?v=KyMyxV4uzSA&feature=player_embeddedStill too subtle? How about at 2:01 when the "blackfish" appears?

Best (Worst?) Moment:
As far as Disney movies go, you've got two choices: unforgivably offensive and just slightly racially insensitive. Sebastian definitely falls into the latter category. So while making Sebastian a charming, party-loving stereotype is a baby step forward for Disney, it's still a stumble backwards for civil rights.
#7. The Crows from Dumbo
In this 1941 classic, Dumbo the flying elephant runs into a band of jive-talking black crows who sing, "I'd be done see'n about everything/when I see an elephant fly!"
Lesson Learned:
Come on, blackbirds acting in a manner stereotypically assigned to African-Americans isn't that offensive. At least they didn't just get some white guy to do his best "black voice." Oh, really? They did? And, they called the lead character "Jim Crow?" Um, hey, look over there! It's a convincing, logical end to this argument!
http://www.youtube.com/watch?v=ZO1bNyOO69g&feature=player_embeddedBest (Worst?) Moment:
So many too choose from. The crows are very specifically depicted as poor and uneducated. They're constantly smoking; they wear pimptastic hats; and they're experts on all things "fly," so it's really a team effort contributing to the general minstrel-show feel to the whole number. You could pretty much pause this video at any second and use it as evidence in your hate-crime lawsuit against Disney.
For its time, though, the portrayal of the crows was almost progressive. The crows band together and help Dumbo learn to fly, so they're counted among the heroes of the film. Remember, this was just a couple of years after somebody introduced a bill to outlaw lynching and congress voted it down. So, you know, you take what you can get.
#6. King Louie from The Jungle Book
Having outgrown the crude portrayal of African-Americans as black crows, in 1967 Disney decides to portray them as monkeys instead.
Lesson Learned:
All animals in the jungle speak in proper British accents. Except, of course, for the jive-talking, gibberish-spouting monkeys. Did we mention they desperately want to become "real people?"
http://www.youtube.com/watch?v=HX_7DmnAp_E&feature=player_embeddedBest (Worst?) Moment:
Fine, so an ape singing, "I wanna be like you" might be a little subtle, in a "we own multiple copies of Catcher in the Rye" conspiracy theory kind of way. Still, considering the author of the The Jungle Book also thought up "the white man's burden", we don't think it's too much of a stretch.
#5. The Siamese Twin Gang from Chip n' Dale Rescue Rangers

Overt racism against African-Americans was obviously intolerable by the time this Chip n' Dale series began in 1989. Overt racism against Asians, luckily, was still on the table.
Lesson Learned:
Even as criminals, Asian-Americans immigrants, represented here by a gang of cats, have become integral parts of American culture. Kidding! They own a laundromat, run an illegal, basement gambling operation and speak in horribly mangled "Engrish." It's like a designer of World War II propaganda posters accidentally quantum leaped into the body of a late '80s cartoon writer.
http://www.youtube.com/watch?v=KSL7MPBchZI&feature=player_embeddedBest (Worst?) Moment:
The Siamese Cats sell their karate expert Juice Lee, a Japanese fighting fish, for a suitcase full of dead fish. If you can't find something offensive in that sentence, congratulations. You're a cyborg.
#4. Sunflower the Centaur from Fantasia


Of all the items on this list, this is the one Disney has tried the hardest to make us forget.
Lesson Learned:
Even in Fantasia's beautiful, magical landscape, African centaurs are hoof-polishing handmaidens for prettier, Aryan centaurs. Also, 1940 was a great year to be a centaur fetishist and/or Don Imus.
http://www.youtube.com/watch?v=_AKwCMmvI_U&feature=player_embeddedBest (Worst?) Moment:
It was insulting enough for Disney to include the smiling servant stereotype to begin with, but, to make matters worse, they started categorically denying Sunflower's existence with the Fantasia re-release in 1960. How does that possibly make things better? "No, you misunderstand. In our perfect, Fantasia world, Africans aren't servants. They don't fucking exist."
#3. The Indians from Peter Pan
http://www.youtube.com/watch?v=Y_at9dOElQk&feature=player_embeddedLesson Learned:
Why do Native Americans ask you "how?" According to the song, it's because the Native American always thirsts for knowledge. OK, that's not so bad, we guess. What gives the Native Americans their distinctive coloring? The song says a long time ago, a Native American blushed red when he kissed a girl, and, as science dictates, it's been part of their race's genetic make up since. You see, there had to be some kind of event to change their skin from the normal, human color of "white."
Best (Worst?) Moment:
It's a tie between Tiger Lilly's traditional Native American hussy dance, and the number of times Native American's misogynistic tendencies are played for laughs (hint: It's more than three!)
#2. Uncle Remus from Song of the South
The tales of Br'er Rabbit are relayed by kindly old Uncle Remus, a black man happily working on a plantation in the post-Civil War South. Disney has never released this one on home video, for some reason.
http://www.youtube.com/watch?v=47ak4vjiNzw&feature=player_embeddedLesson Learned:
The late 1800s were a great time to be African-American and possibly on acid.
Best (Worst?) Moment:
Less eerie than any imaginary singing birds is what's not in the film. It's as if someone made a children's musical about Jews in post-World War II Germany that had a number titled "Hey! Nothing Bad Has Happened to Us, Ever." Also failing to reach the screen: When the movie had its world premiere in 1946 in Atlanta, James Baskett, the actor who played Remus, was not allowed to attend. Zip-a-dee-doo-dah!
#1. Thursday from Mickey Mouse and the Boy Thursday (Book)http://www.archive.org/stream/MickeyMouseAndBoyThursday/MicrosoftWord-Document1#page/n1/mode/2up1) Thursday from Mickey Mouse and the Boy Thursday (1948 children's book)
In this obscure children's book from 1948, Mickey Mouse accidentally receives a West African native in the mail. Hijinks ensue, which includes Thursday (a riff on Friday from Robinson Crusoe) killing Mickey's radio and worshipping Goofy as a tribal god.
"The book compiles almost every offensive preconception of Africa lurking in the American subconscious," says Joseph.
Keep in mind that the "fish out of water" scenario has been a comedy staple since . . . forever. Also keep in mind that this book has been out of print, most likely since before most people surfing the Internet were actually born. Remember that Disney's depictions of minorities weren't exactly out of step with mainstream society back then. By Joseph's own (pained) admission, Disney "was almost progressive" in his treatment of blacks and other non-Europeans. Look at the larger attitudes of the day, and this book starts to look like Albert Schweitzer.
But no, Joseph has to pull this obscure skeleton out of Disney's closet so he can show us how smart and progressive he is.
Racism in Disney Cartoons? An Animator Has the Last Word
The final note on this subject goes to Floyd Norman, who was the only black animator working at the Mouse House during the 1950's and 60's.
"Overly sensitive people see racial or ethnic slights in every image," Norman once wrote. "And in their zeal to sanitize and pasteurize everything, they've taken all the fun out of cartoon making.
"I've had the pleasure of speaking with the late Bob Clampett about his 1943 cartoon, Coal Black and the Sebben Dwarfs (Clampett's notorious all-black take on Disney's Snow White). I've chatted with Ward Kimball about animating the crows in Walt Disney's Dumbo . . . Although some might call these comical images racially insensitive, I merely see them as funny."
Then we have the likes of Waylon Smithers (Fox) who went from a Black Man.

To a Gay White man.
