Posted: Fri Jul 11, 2008 10:10 am Post subject: Mkultra Monarch programming and the gay agenda
Quote:
Dorothy is looking for a place where there is no trouble which is a place “over the rainbow.” To escape pain, alters go over the rainbow. (This is a.k.a. in Alice In Wonderland Programming as “going through the looking glass”
Judy Garland, she was an MK slave and the first to sing the ''over the rainbow'' song. holding a mirror (looking glass).
another example how the symbolism fits the research.
Quote:
Over the rainbow in Oz is for the Monarch slave to be in a trance, and into a certain area of the programming. To be fluctuating at both ends as an observer and not a participant or to go to the other extreme and become a participant. The theme song of the movie goes, “Somewhere over the Rainbow...there’s a land where the dreams that you dare to dream really come true.” These lyrics are a method to hypnotically confuse the brain to perceive that the “over the Rainbow experience” (which is usually horrible abuse) is a “dream”. The dissociative mind is only too happy to call the trauma a dream, which is lived as a reality for a moment, but is nevertheless recorded by the mind as a fantasy. The term for this is cryptoamnesia, which means the process where the proper functioning of memory is hypnotically messed up. The slave’s internal world becomes “reality” and the external real world becomes the Land of Oz which is perceived as make-believe.
anyone interested in Cobain's death should see some of the bizarre projects Cobain was associated with prior to his death, and some of the CIA people he was directly involved with.
Cobain did the musical background for a William Burroughs-narrated tape, an audio excerpt from that author's book titled 'Exterminator'
(odd elements of bisexuality , heroin addiction, cannibalism and murder involved).
Cobain wanted Burroughs, a known homosexual activist, to cameo in his 'Heart Shaped Box' video,
author, beatnik, and CIA killer William Burroughs
and wrote in his journals that he wanted Burroughs to simulate a sexual assault on him. The plan was to depict Burroughs raping Cobain from behind and dying on top of him, and orgasming his life energy into Cobain , complete with medical footage of semen flowing through the interior of a pen*s. Burroughs declined the offer. Cobain considered Burroughs a sort of protege, a fellow bisexual/heroin addict/writer.
Here is the link proving it:
It sounds like Cobain was attempting to involve Burroughs in the simulation of some sort of sex magick ritual. Ancient tribes have been known to perform rituals with the dying elders submitting to be ritually killed, and eaten, so that their life force may be passed on and live on in those who carry on afterward.
It has been said that Cobain was into the occult. Cobain likely had knowledge of real life sex magick or enochian rituals.
Here is some background on Burroughs , a video biography (featuring some interesting information re: Burrough's activities in murdering his wife, as an assassin for the CIA, and his weapons collection, homosexuality, drug addiction, being sent at 15 to a masonic Los Alamos training camp etc.:
Cobain may have been killed in some sort of ritual, either voluntarily or involuntarily.
[img]http://www.jesus-is-savior.com/False%20Religions/Wicca%20&%20Witchcraft/courtney_lovewdaughter-satan.jpg[/img]
Courtney Love making satanic hand sign
Anyone interested in Cobain cannot miss seeing 'My Own Private Idaho' starring River Phoenix. It was made by Gus Van Sant , who was very close to the circle of people that Cobain was surrounded by all his life.
Van Sant lives in Portland, which is closely to the whole west coast Seattle scene.
I think 'My Own Private Idaho was loosely based on the type of life that
Cobain led prior to becoming successful in music.
The main character Mike, played by River Phoenix, is a homeless young Seattle drug addict who prostitutes himself to men to feed his drug habit. I have read that Cobain was himself a homeless drug addict who slept under a bridge and at the library , and hung around pickup spots (prostitution) to feed his drug habit. This was in the years before he became a successful musician.
Another interesting fact is that the main character suffered from narcolepsy, a condition in which sufferers of this disease pass out and fall into a sleeping state when under stress. Cobain was also narcoleptic .
The character in My Own Private Idaho is victimized by a brutal father and was from a broken home, and suffers 'blackout periods' where he does not know what happened.
It is also known that Cobain dabbled in the occult.
My Own Private Idaho was made by gay activist film maker Gus Van Sant, (WRITTEN AND DIRECTED) who also directed 'Last Days' , starring Michael Pitt, and loosely based on Cobain's last weeks of life.
Kurt Cobain and River Phoenix both were personal friends of Michael Stipe, another prominent gay rights advocate, and both Cobain and Phoenix died the same year.
Cobain and River Phoenix knew each other, and after the death of River Phoenix, Cobain dedicated a song to him at one of his concerts. Phoenix and Cobain died within six months of each other, both dead of heroin overdose.
My guess is that if Cobain saw 'My Own Private Idaho' when it came out in late October 1991, or later, it would have had a major personal impact on his psyche.
narcolepsy is a known trait of MKultra or Monarch projects
interesting but possibly useless tidbit:
Nirvana's hit record 'Never Mind' has an infant immersed in water on the cover, and MKUltra is known to begin conditioning subjects from infancy, with torture techniques that are known to include water boarding.
The main character in the movie My Own Private Idaho, Mike , is revealed to have been in a mental institution at the age of one, with his mentally unbalanced
mother. This would mean that Mike would have been situated perfectly to undergo mind control programming during infancy at the institute.
here is a clip of the beginning of My Own Private Idaho.
Notice one of the earliest scenes place in Seattle, before the story moves on to Idaho:
Check out River Phoenix's childhood being raised by the Children of God hippie cult:
http://www.rickross.com/reference/family/family5.html
Like Cobain, Phoenix was raised with a mission to be an entertainer from early age (like so many of them , from Judy Garland to Jon Benet Ramsey to Britney Spears, etc. etc. That's what the Mickey Mouse Club is all about , after all)
check out the trailer for the film 'Last Days' , based on the final
days of Kurt Cobain's life, and written and directed by Gus Van
Sant , the same guy who made My Own Private Idaho:
http://www.youtube.com/v/HFWnZW3esb8
If you watch 'Last Days' you will see Cobain going into the same narcoleptic sleep that Phoenix does in 'My Own Private Idaho', and both films were written and directed by Gus Van Sant.
Cobain compared himself to Frances Farmer, who was in and out of mental institutions, another possible 'project'.
Farmer with Tyrone Power in Son of Fury (1942).
Here is a link to information on how Seattle-born actress Frances Farmer was allegedly abused by the psychiatric community, electroshocked, and even raped on military bases:
A lot of this information had been dismissed, even ridiculed, as hyperbole and exaggeration at the time that it emerged, but in light of what is now
publicly known to have happened with MKUltra , Monarch, etc. ........it is really not as far-fetched now as it must have seemed back then, when virtually nothing was known about this type of secret activity.
It sounds almost like they attempted to turn her into a multiple.
Oddly enough, Farmer once worked at the Fairmont Olympic Hotel, another massive gothic rail hotel similar to the one that Cobain was staying at in Banff when given the lyrics. In fact it is part of the same Fairmont chain of hotels.
Here is a picture of Cobain meeting with homosexual author William Burroughs at his lakeside cottage residence just outside of Lawrence, Kansas in October 1993:
This is a photo that Burroughs snapped of Cobain using the cottage toilet. ( Burroughs sent Cobain this photo on Cobain's 27th birthday:
this just gets weirder and weirder the more I look at it.
-Cobain met his idol, author William S. Burroughs, six months before his (Cobain's ) death in April 1994
-Burroughs was famous for having 'accidentally' shot his wife Joan, fatally, in the forehead, at a party in Mexico, (for which he was never imprisoned) in 1951
-In the year 2000, Cobain's widow Courtney Love played the part of Burrough's murdered wife Joan in a film called 'Beat' , starring Kiefer Sutherland, which was a biographical film about
William S. Burroughs: http://imdb.com/title/tt0211941/
-the 1991 David Cronenberg film Naked Lunch ( http://imdb.com/title/tt0102511/ ) which was written by David Cronenberg , loosely reflects events in the life of author Burroughs as he wrote the novel Naked Lunch. The main character, writer Bill Lee, works as an 'exterminator' who 'kills bugs with drugs', is himself a drug addict working for the CIA, spies on drug operations in foreign countries, suffers hallucinations, and answers to a 'controller'.
Here is an example of the kind of metaphors, (what could be termed 'CIA metaphors') embedded in 'Naked Lunch':
In this scene, Peter Weller, (playing the part of William S. Burroughs) is forced to 'prove his credentials' before being allowed entry into the country of 'Annexia'.
It is, imo, a metaphor for how hard-core criminal/satanic secret societies demand that people make incredible personal sacrifices to prove their utter devotion and commitment to the group before being allowed to join:
In this case, William S. Burroughs, who is famous for having 'accidentally' shot his wife in the head, is depicted as actually having carried out the act as a means to gain entry to another secret level or realm of the network.
I have been finding a very close association between director Gus Van Sant and William S. Burroughs.
Van Sant did at least four projects involving William Burroughs, including a music CD, two short films,
and a motion picture:
Elvis Of Letters (1985) Music: William S. Burroughs,Gus Van Sant
The Discipline of DE (197 Gus Van Sant (9 min, 16 mm black and white, adaptation of William S. Burroughs' short story, narrated by Ken Shapiro) http://www.youtube.com/watch?v=MLOCG7ETVu8
Even Cowgirls Get the Blues (1993) Gus Van Sant (feature length film, features a diverse cast [Keanu Reeves, Roseanne Barr, Uma Thurman, Rain Phoenix, and k.d. lang], with cameos by William S. Burroughs and Heather Graham,
http://www.youtube.com/watch?v=Jrlxcg1r5jY
Some more interesting tidbits here:
Gus Van Sant wrote and directed 'Last Days' , a film about the final hours of Kurt Cobain.
Van Sant's 'My Own Private Idaho' features a 'Brokeback Mountain' style campfire scene between Keanu Reaves and River Phoenix
River Phoenix and Kurt Cobain died within six months of each other, both of a heroin overdose.
Gus Van Sant wrote and directed 'Even Cowgirls Get the Blues', a lesbian version of Brokeback Mountain.
Heath Ledger starred as a gay cowboy in Brokeback Mountain.
Peter Weller played the part of William S. Burroughs in 'Naked Lunch'
Peter Weller starred opposite Heath Ledger in 'The Order' .
Heath Ledger died, like Cobain , in his late twenties, alone, involving a drug overdose.
The book/movie based on a real event, and is all about a CIA-sponsored group called the 'The Merry Pranksters' who toured America in the mid-sixties, methodically distributing marijuana, amphetamines, and LSD.
Names connected to this group include Kesey, Kerouac, Ginsberg, Hunter Thompson, and even William Burroughs , who appeared at a Kesey organized hippy poetry festival in the mid-seventies.
[img]http://www.jesus-is-savior.com/False%20Religions/Wicca%20&%20Witchcraft/courtney_lovewdaughter-satan.jpg[/img]
Courtney Love making satanic hand sign
Cobain worshipped homosexual, drug addict author William Burroughs, who at one point visited Rome, and then lived at a house in Tangiers which was used as a child prostitution brothel , prostituting male Moroccan children to visiting male tourists.
The film 'My Own Private Idaho' depicts a Seattle 16 year old gay-male prostitute who has been living on the streets since he was twelve, is narcoleptic, suffers blackouts of missing time, and is transported around the world (including Rome). The boy's 'specialty' is apparently a propensity for passing out whenever he is told to disrobe for his customers. (could be some embedded mind control program, in that the act of disrobing under those circumstances is an embedded 'trigger', that makes him pass out or shift into his 'alter' state)
. The film 'My Own Private Idaho' appears to be showcasing the fruits of the labors of the CIA in some bizarre fashion.
Mike accusing his handler of selling his body for sex 'while he is asleep'.
Cobain is said to have once worked as a gay prostitute to feed his heroin habit, and toured Europe (including Rome) promoting a minor record before becoming famous with his second album. Cobain was also said to be narcoleptic, which has led to speculation that 'My Own Private Idaho' was a film depicting the exact sort of specimen that Cobain was prior to gaining fame as a musician.
Now listen to this bizarre reading by Burroughs , who always wrote semi-autobiographically , speaking of stealing a bag of severed limbs to feed his heroin habit (with , bizarrely, a heroin-addicted Kurt Cobain providing the background music. Cobain arranged to do this project with Burroughs, and later traveled to meet with Burroughs at his cottage) :
http://www.youtube.com/watch?v=1Pfd3OtPQoA#cDv82sCD0b4
First, it is as yet no certainty for me that Burroughs was CIA. I think it likely that he was. He says that he was almost recruited, and says that someone scuttled it for him, but who knows what the truth is ? Put it this way, if he had worked as a killer for the CIA, would he be eager to piss off the CIA by broadcasting that to the world?
Of course not. He would issue a denial of any relation to the CIA, if he knew what was good for him.
it shows him posing with his weapons collection.
He always said "write what you know about" and openly admits that most of his work is semi-autobiographical, so when he starts writing doing heroin about a bag containing severed brown legs, it does get interesting.
He lived in Mexico, South America, Morrocco
from Wikipedia:
*
When he found Rome and Ansen’s company dreary, inspired by Paul Bowles' fiction, he decided to head for Tangier, Morocco.[13] In a home owned by a known procurer of homosexual prostitutes for visiting American and English men, he rented a room and began to write a large body of text that he personally referred to as Interzone[14]. Burroughs lived in Tangier for several months, before returning to the United States where he suffered several personal indignities- Ginsberg was in California and refused to see him, A. A. Wyn, the publisher of Junkie, was not forthcoming with his royalties and his parents were threatening to cut off his allowance. All signs pointed him back to Tangier, a place where his parents would have to continue the support and one where drugs were freely available. He left in November 1954 and spent the next four years there working on the fiction that would later become Naked Lunch, as well as attempting to write commercial articles about Tangier. He sent these writings to Ginsberg, his literary agent for Junkie, but none were published until 1989 when Interzone, a collection of short stories, was published. Under the strong influence of a marijuana confection known as majoun and a German-made opioid called Eukodol (oxycodone), Burroughs settled in to write. Eventually, Ginsberg and Kerouac, who had traveled to Tangier in 1957, helped Burroughs edit these episodes into Naked Lunch.[15]
*
another interesting fact is that Burroughs often forgot having written some of the material, the drug-addled writings got so biographical and so bizarre at points that it prompted some alarm among Kerouac and Ginsberg:
"Bill, what's all this stuff about boys being hung in limestone caves?"
Another interesting film to watch is David Cronenburg's Naked Lunch,
which is written by Cronenberg and not based directly on Burrough's book of that name, but a story about the main character who is a composite assembled by Cronenberg of William Burrough's various characters.
The main character is someone who talks of being on 'assignment' by his handlers, and travels on missions to different foreign locations, and in contact with dark skinned homosexual boy prostitutes. It also, grotesquely, mentions illicit trafficking in something called 'the real black meat', which is depicted as dead black bugs. In fact the main character is at one an exterminator who kills 'bugs' with
by spraying them with an overdose of addictive chemicals.
So here's this guy with a weapons collection who travels around the world with a heroin habit who writes stories about being under the control of handlers, a gay heroin addict, working as an 'exterminator' of 'black bugs' who seem to love the white powder
he sprays them with, and bags of severed legs etc.
Then I hear that Cobain did the background music for one of Burrough's
audio readings and it gets even weirder. I find out that Burroughs murdered his wife 'by accident' , shooting her in the head. I find out that Cobain worked
as homosexual teen prostitute to feed his heroin habit at one time before becoming successful in music and was later obsessed with William Burroughs.
Then I find out that after the heroin addicted Cobain was found shot in the head, with many speculating that his wife Courtney Love had motive to have him killed,Courtney goes on to a career as an actress, and to play the part of Burrough's murdered (shot in the head) wife Joan in the film 'Beat' which was based on the life of William Burroughs.
It has been said that Jeffrey Dahmer may have been MKUltra, some sort of MKUltra experiment gone wrong, or the fall guy for a group
of people who were involved. (anyone remember the story of how the police let Dahmer go when they caught him abusing a bleeding boy?
Ever wonder what type of hand signals or code words may have gotten Dahmer out of that situation? Or maybe they ran his name, and found
his file flagged with some sort of 'hands off' designation?)
Kay Griggs has said in interviews that she thinks Jeffrey Dahmer was connected to CIA black ops.
Jeffrey Dahmer preyed on young male heroin addicted prostitutes, many of them of black or foreign descent, and severed their limbs, etc.
I do think it would have been interesting to hear what William Burroughs thought of the Jeffery Dahmer situation. (I was not saying that I thought his audio story was based on Dahmer. I meant that Burroughs seemed to have prior knowledge of similar situations, so it would have been interesting to hear what he had to say about it.)
some interesting details of Burroughs' life:
- at 15 he was sent to a Masonic training camp known as 'ranch school'.
- he was a known member of the occult order the OTO
-Los Alamos ranch school was close and later morphed into a nuclear research facility/military installation and is known today as a center for near-death trauma conditioning (MK)
Also, I would not necessarily use the term 'CIA agent' in reference to Burroughs. The phrase that I used was "Burroughs was CIA",
ie: an asset , possibly an MKUltra mind controlled assassin who did not even officially work as a CIA agent, but was nonetheless an asset performing work for the agency under various 'alters'.
His writings seem to suggest involvement with alter egos, missing time,
violence, and narcotics .
This could also explain why someone high up ensured that Burroughs got away with fatally shooting his own wife in the head.
It is a common mafia tactic to demand proof that a commissioned hit has been carried out, in the form of a hand or finger provided from the corpse of the victim.
I would recommend that anyone who watches Naked Lunch watch it with an eye for metaphor.
The film could be a metaphor for what William Burroughs true life was.
It could be that he worked as an assassin for the CIA exterminating 'bugs' (bothersome targets, security risks, people who knew too much etc.), and that there is a sideline to this profession in selling the actual body parts of one's targets on some human flesh market.
Could this be what Dahmer truly was? Another Burroughs, who killed heroin junkies, 'projects', child prostitutes, drug mules, etc., for the CIA to shut them up once they had outlived their usefulness?
re: My Own Private Idaho
I think this is a veiled story about a mind controlled project, the main character 'Mike'. Mike was a narcoleptic who experiences missing time, frequently blacking out, and is constantly moved around by a handler/handlers.
(narcolepsy is said to be common among mind controlled people)
In the movie, the life story of Mike fits the model for a mind control victim. He is a homeless teen aged male prostitute suffering from drug addiction and mental problems. It emerges that Mike's birth was the product of an incestuous relationship between Mike's brother and Mike's mother. Mike's mother was jailed for murdering a crooked card dealer who had dared rip off the mob/CIA casino that he had worked for in Reno. Mike was an infant at the time of the murder, and his mother was sent to a psychiatric facility, and Mike actually lived at the psychiatric hospital with her. Assuming she had spent a number of years at the institution undergoing 'treatment' for having committed murder, it would mean that Mike spent his entire early childhood in a psychiatric institute.
So Mike may have been the victim of experiments and procedures from infancy, and completely transformed due to having spent his early life in a psychiatric institution where handlers would have had regular access to him.
It also emerges that Mike's handler, Scott, is none other than the son of the powerful masonic mayor of Portland. Scott moves Mike from one prostitution/crime/drugs scenario to another , regularly traveling with him, with Mike suffering narcoleptic 'blackouts' and missing time throughout the film. Mike also at one point states that he has been with his handler for four years. In the film, the character Mike is roughly sixteen or seventeen years old, which means that Mike has been travelling around with Scott, being prostituted and blacking out since he was twelve or thirteen years old.
I can only speculate here, but what emerges is a picture of a mind-controlled slave who is being used alternately as a child prostitute, possibly an international drug courier, and a street thug who participates in gang muggings. Watch the film.
Gus Van Sant may have written this film with full knowledge of CIA operations, and full knowledge of mind control and how it relates to child prostitution, drug operations, street gangs etc. The alarming thing to me is that the film would have been made to appeal to the 'in crowd' , the people who 'got it' would have loved it, but the general public would have been confused by what they were looking at. What alarms me is that people like Gus Van Sant and his subculture of financial backers and promoters etc. brazenly make films about this sort of thing, knowing that there are huge numbers of 'insiders' who will understand it, while the general public has not a fraction of a clue what they are really watching. It begs the question: how many people secretly know about this stuff? If major films can be done to appeal to large numbers of people , then there may be a hell of a lot of people capable of 'reading between the lines' in enjoying such films.
Question:
Why do strange cryptic little films like 'My Own Private Idaho' reach 'cult status' , when virtually no one normal can figure out what the hell is going on?
Answer:
The term 'cult status' is a hell of a lot more descriptive than you think.
Bill Clinton admits to MKultra mind control experiments:
nirvana is just another case of where the symbolism fits the research.
This is the cover of a later-released compilation album of Nirvana's hits, called 'Over the Rainbow'.
It has a sort of Alice in Wonderland/Little Red Riding Hood look to it , and of course the 'Wizard of Oz' title to it.
From what I have read both those films figure prominently in Monarch programming of children.
Some of the grotesque features/details are an Alice in Wonderland type animal, a half-fox,
half- mosquito/preying mantis type creature, frolicking with toddlers. One of the toddlers is introducing
the creature to the blonde female toddler, who has a prosthetic
limb. (implication being that the creature has already consumed part of the girl, and she is being
reintroduced to it again?) Or are the children embracing a familiar friend?
Also note that the boy is depicted as lower-class, unkept hair, wearing rags, and the little girl is
prim and proper, with matching dress and bow, golden socks matching neatly kept hair, etc.
The price she paid was one of her hands?
the creature is a reference to the line 'A mosquito, my libido' ?
"Over the rainbow" is MKUltra-speak for being in a state of dissociation, the
key goal of the programming and how the alters are created.
The butterfly is, I suppose, a nod to Monarch.
The "insect fox" may be a reference to multiple personalities.
Last edited by Thunkerdrone on Tue Jul 15, 2008 2:25 am; edited 6 times in total
Look at the symbology in all the
masonic gay movement's stuff:
mind control rainbows and masonic triangles/pyramids
Massive gay dances regularly held at Masonic Temple in Toronto:
this article appeared in NOW Toronto magazine, the same gayzine that celebrated the deaths of Martin Kruze and Kenneth Au Yeung in the Maple Leaf Gardens scandal:
Quote:
http://www.nowtoronto.com/issues/16/...s/feature.html
Those of us who have known Rae since the early days when he was the volunteer who did the food at those GCDC [Gay Community Dance Committee] dances -- those salacious Saturday-night extravaganzas at the Masonic Temple -- know what fun he can be. He's a promiscuous gossip (my stomach sank when I saw a tidbit I thought was mine show up in the Globe). And he has everyone sized up and is ready to pick them off.
Quote:
:
http://64.233.167.104/search?q=cache...n&ct=clnk&cd=2
GCDC, the Gay Community Dance Committee, had first lit up the 519 Church Street Community Centre but soon moved to the Concert Hall, a huge former Masonic temple. Its dances eventually attracted up to 2,000 revellers -- breaking that record set by 1978's "Biggest Gay Dance in the History of Toronto" -- and raking in up to $10,000 each time, split among groups who sent volunteers.
By the early 1980s gay people in Toronto had built one of the most organized, politically sophisticated communities anywhere. It had achieved, as George Hislop would later put it, "institutional completeness."
Ten year olds invited to VH1/MTV/MuchMusic dances chaperoned by North Island Masonic Lodge
MUCH MUSIC VIDEO DANCE
Friday March 9th Port McNeill Community Hall Grades 5/6/7 6-8pm – Cost $10 Grades 8-12 8:30 to Midnight Cost $15 Sponsored & Chaperoned by: North Island Masonic Lodge Funds raised will go to Community Projects &Scholarships
the Much Music Video cable channel studio (Canada's cable equivalent of MTV/VH1) is in a Toronto building which is an active masonic hall.
Quote:
http://64.233.167.104/search?q=cache:e39MLv0OamsJ:jam.canoe.ca/Televi
MuchMusic has just been punk'd.
Today, CTV is putting a big shiny sign out at Yonge and Davenport -
"MTV." Those are three letters that will likely chill the hearts of
programmers over at CHUM/CITY's battered bunker.
CTV is hanging the famous red logo on the Masonic Temple. The former home of Mike Bullard is being retrofitted for MTV Live, a daily music
magazine that will likely go head-to-head whenever it launches ("this
year" is as specific as a CTV spokesperson would get) with
MuchOnDemand (weekdays at 5 p.m.).
The news isn't really that there's a new show or that there's a new
building but that there's a new channel.
***********
Can there be any mystery left as to what is happening to all those abducted children that go missing each year?
Here is an explanation that I think should be obvious to many at this stage:
the vans are grabbing kids and transporting them overseas to
orphanages, where they are undergoing 'rainbow' trauma conditioning, and a substantial part of it is gay programming, gender- dissociative stuff. This is why the rainbow symbology is so prominent.
My guess is that these symbols are also implanted in the minds tens of thousands of trauma-conditioned children as some sort of key-word, key-symbol trigger or device.
Quote:
Why is Judy Garland such a popular gay icon?
The gay and lesbian magazine The Advocate calls Judy Garland "an Elvis for homosexuals." In more closeted times, gays used the term "friend of Dorothy" to refer to themselves in mixed company, in homage to Garland's role as Dorothy in The Wizard of Oz. Today, Garland isn't as well known among the younger gay generation, but she still holds a special place in the hearts of many.
Judy Garland was hugely popular among gays during her lifetime. Her concerts were major gay meeting places, and in her later years, she made money singing at gay piano bars. Garland's father was gay, as were her studio-executive mentor and two of her five husbands. She had many gay friends and went to parties where she joked that she was the only woman present. But her appeal was based on more than her own acceptance of gays.
Both onscreen and off, Garland projected a unique combination of vulnerability and strength. She sang of intense loneliness, followed by songs describing delirious love. She had legendary stage fright but declared her greatest happiness came from performing. These conflicts mirrored the lives of oppressed, closeted gay men in the 1950s and 1960s. They identified with the paradox and duplicity in Garland's life. Severe laws and prejudice against homosexuality forced gays to lead double lives and hide their true selves.
As Dorothy, Judy Garland portrayed a misunderstood kid from a small town who has an amazing adventure in a Technicolor world. The central message of The Wizard of Oz is that you will find what you're looking for inside yourself. That message resonated with gays of the era who yearned to come out into a colorful world and live what was inside of them.
[/b]
Last edited by Thunkerdrone on Tue Jul 15, 2008 2:33 am; edited 2 times in total
note his red shoes like dorothy in the wizard of Oz with her ruby slippers.
Quote:
Monarch slaves are taught to “follow the yellow brick road.” No matter what fearful things lie ahead, the Monarch slave must follow the Yellow Brick Road which is set out before them by their master. For some slaves used as track stars, their Yellow Brick Road was the track they had to run. The Yellow Brick Road is the runway in which alters were trained to fly off from to exit their internal world and take the body. The Yellow Brick Road also pertains to the assignment that an alter is given. To follow the Yellow Brick Road is to go down the road that has been assigned by command. The Yellow Brick Road programming is placed into the child’s mind via the Yellow Brick Road of the Wizard of Oz story. Remember the key words, “Follow the Yellow Brick Road.”
:
Someone Saved My Life Tonight
Music by elton john
Lyrics by bernie taupin
Available on the album captain fantastic and the brown dirt cowboy
And someone saved my life tonight sugar bear
You almost had your hooks in me didnt you dear
You nearly had me roped and tied
Altar-bound, hypnotized
Sweet freedom whispered in my ear
Youre a butterfly
And butterflies are free to fly
Fly away, high away, bye bye
Last edited by Thunkerdrone on Fri Jul 11, 2008 11:42 am; edited 5 times in total
Queerfocus: gay news,views and gossip in the land of OZ
Quote:
“The Wizard of Oz” is to be remade with Dorothy as a sexy action heroine.
The new film produced by Todd McFarlane will have a screenplay by Oscar-nominated Josh Olson,
whose credits include “A History of Violence,” and will be based on the alternative series “Twisted Land of Oz”
written by Dion Bozman.
Todd McFarlane and History of Violence writer Josh Olson have revealed plans for a new film take on
The Wizard of Oz based on McFarlane's horror versions of the toys (above).
This will allow the toymaker to make new toys based on the movie based on the toys.
The two went on to say Dorothy would actually be nothing at all like the hyper-sexualized bondage
toy but be more of a bad-ass like Ripley in Alien, and the whole thing will have a "2007 wow factor"
that will try to get the Lord of the Rings audience. If that means armies of thousands of Muchkins versus
hordes of flying monkeys, I might just forgive the fact that
McFarlane is still releasing Spawn toys for some reason. Honestly, who is buying these?
There are hidden messages in the entertainment we've been naively exposed to all these years. The writers and actors seem to be under the control of sinister forces.
Take for example the "WHO" album "Tommy" that was made into a movie in the 70s. It turns out that the main character - the deaf, dumb and blind kid - was sexually abused - and that's what the words to the music are all about.
ommy's creator, Peter Townshend, believes he himself was sexually abused and that TOMMY was an expression of his unconscious trauma. He suspects that internet pornography is fueling an epidemic of sexual abuse of children. In his quest for proof he visited child-porn websites and then subsequently got arrested when the police raided the viewers. This in spite of the fact that he'd alerted the authorities as to what he was doing. Below is the original article. The top are related and follow-up articles as the case proceeds.
Who's Pete Townshend, shown on the set of his rock opera Tommy in 1993, says he paid to view online child pornography as research for his autobiography. He said he believes he was sexually abused as a child.
Uncle Ernie, a pedophile played by Keith Moon in the rock opera Tommy, spent time "fiddling about, fiddling about." In the rock opera Tommy, the deaf, dumb and blind kid escapes into the world of pinball wizardry after he is molested by his Uncle Ernie. The pivotal scene is described in the song Fiddle About, which has Uncle Ernie singing lines like "Your mother left me here to mind you, Now I'm doing what I want to, Fiddling about, Fiddling about," and "Down with the bedclothes, Up with the nightshirt, Fiddle about, Fiddle about." That sequence, in one of Pete Townshend's most popular works may come to be seen as more significant now that a bizarre investigation is unfolding into why the rock star visited Web sites featuring child pornography.
The Who's emblematic lead guitarist and songwriter, who has been caught up in a massive British investigation into online pedophilia, maintains he bought child porn from one of the Web sites as research for his autobiography. "I believe I was sexually abused between the ages of five and six-and-a-half when in the care of my maternal grandmother who was mentally ill at the time," he said in a statement responding to the scandal that has erupted. "I cannot remember clearly what happened, but my creative work tends to throw up nasty shadows -- particularly in Tommy."[/quote]
Michael Jackson played the scarecrow in the Wizard of OZ based
musical 'The Wiz' in 1978.
Michael Jackson began exhibiting dissociative behavior from the time of this movie onward.
9interesting to note that both Pete Townshend (from Tommy) and Michael Jackson (from The Wiz) have both been involved in very public pedophile trials)
Last edited by Thunkerdrone on Tue Oct 28, 2008 3:18 am; edited 1 time in total
The investigation into child abuse at a former children's home on the island of Jersey took a further grim turn yesterday as forensic officers began searching a former Nazi war bunker less than a mile from the home.
Police yesterday said at least six victims of abuse had come forward alleging "serious sexual crimes" were carried out against them in the bunker which was built and used by German artillery when the island was under Nazi occupation during the Second World War.
For more than four months now specialist officers have been conducting a painstaking forensic excavation of the cellars of the nearby Haut de la Garenne children's home where numerous former residents say they were repeatedly drugged, beaten and raped over a period of more than 40 years.
Deputy Chief Officer Lenny Harper, who is leading the investigation, told reporters outside the bunker yesterday: "The allegation is that residents from Haut de la Garenne were taken to the bunker by members of staff and abused there. We are talking about six witness statements to us concerning the bunker. Six different witnesses and different incidents."
The investigation on the island is one of the largest child abuse cases in British history. Excavations at the children's home have unearthed a number of disturbing finds that police say corroborate what victims have said took place in the cellars below. Victims described the cellar as a punishment and rape chamber where children often spent days on end in complete darkness shackled to a bath filled with cold water. Forensic searches have uncovered the concrete bath, flecked with traces of blood, and a message scrawled into the wall above saying "I've been bad for years and years". A set of shackles has also been found.
Police first began excavating the home in February after receiving intelligence that human remains may have been buried on site. An initial find of what was thought to be a child's skull later turned out to be a piece of coconut or wood but subsequent excavations have uncovered 65 children's teeth and a number of human bone fragments. Further examination of the bones revealed that some had been cut or burned leading the police to treat Haut de la Garenne as a possible homicide crime scene.
Although no bodies have been found, police do believe human remains are in the cellar.
"We have a dead child or dead children in that cellar," said Lenny Harper yesterday. "We do not know how they got there or how they died, but we do know in that cellar we have a dead child."
The bunker, meanwhile, lies underneath an historic nineteenth century Martello watchtower just over half a mile to the east of Haut de la Garenne. Both the bunker and tower are currently owned by the Jersey National Trust.
During the Second World War German occupying forces built bunkers across the island to protect from any counter invasion from allied forces. The bunker near Haut de la Garenne was constructed by an artillery regiment who fortified the tower and dug a series of three bunkers. The largest contained eight rooms and was used as a telephone exchange whilst the others were used as sleeping quarters and contained two rooms each.
Police said they were not expecting to have to excavate the bunkers adding that a finger tip search would only take a few days. The number of victims who say they were abused at Haut de la Garenne now stands at 97 whilst 109 people have been named as being involved in offences connected to the investigation. Police said yesterday that 18 have been identified as priority suspects. Police also announced David Warcup, deputy chief constable of Northumbria will shortly replace Deputy Chief Officer Harper who is due to retire within weeks.
Quote:
Jersey abuse inquiry: suspected milk teeth total reaches 48
* Joe Jackson
* guardian.co.uk,
* Thursday June 19, 2008
* Article history
The basement of the former children's home in Saint-Martin, Jersey, where the police forensic team's excavation work has been taking place. Photograph: Alain Jocard/PA
Investigators searching the Haut de la Garenne former children's home in Jersey have found a another 21 suspected milk teeth in the past week, police said today.
The latest discoveries, made in cellar areas beneath the building, bring the total number of teeth unearthed at the site to 48 since investigators began excavating the grounds at the former care home in February after allegations of child abuse spanning three decades.
A Jersey police spokeswomen confirmed officers believe the teeth belonged to children.
"Although detailed testing has yet to take place, early indications are that most if not all the teeth found are milk teeth," she said.
More than half of the 48 samples so far discovered at Haut de la Garenne have been sent to the UK for examination, with the remainder still in Jersey.
Investigators are continuing to examine areas of the former children's home, carrying out a "detailed sieving process" for further evidence of human remains.
More than 30 bone fragments have been found at the site, with tests showing some have been cut while others have been burnt.
A former policeman, the fourth person to be arrested in connection with the case, was released from custody without charge last week.
Meanwhile, three other people have appeared in court in connection with the probe.
An independent group set up to monitor the inquiry this week set up a Post Office box address and email to help people make contact easily.
Police have received more than 100 allegations of abuse at the island's former children's home between the early 1960s and 1986, after starting an investigation in November last year.
Suspected parts of a child's body were discovered at Haut de la Garenne in February as officers acted on information from hundreds of callers.
Officers later discounted the remains as non-human, but soon found other remains in the cellars of the former care home.
Specialist detectives from the UK mainland joined the inquiry as further grim discoveries were made, including "punishment rooms" in the basement of the building.
States of Jersey senators have agreed to hold a full public enquiry into child abuse on the island once the criminal investigation had been completed.
Built on a Jersey hilltop in 1867, Haut de la Garenne was first a school and then an orphanage before becoming one of Jersey's childcare homes.
It still housed up to 60 young people with special needs when it closed in 1986, reopening in 2004 as the island's first youth hostel.
It has also been used as the setting of a police station in the BBC detective television series Bergerac.
Here is some background information partially explaining how the CIA created the radical feminist lesbian movement:
Quote:
Gloria Steinem: How the CIA Used Feminism to Destabilize Society
By Henry Makow Ph.D. | March 18, 2002
"In the 1960's, the elite media invented second-wave feminism as part of the elite agenda to dismantle civilization and create a New World Order."
Since writing these words last week, I have discovered that before she became a feminist leader, Gloria Steinem worked for the CIA spying on Marxist students in Europe and disrupting their meetings. She became a media darling due to her CIA connections. MS Magazine, which she edited for many years was indirectly funded by the CIA.
Steinem has tried to suppress this information, unearthed in the 1970's by a radical feminist group called "Red Stockings." In 1979, Steinem and her powerful CIA-connected friends, Katharine Graham of the Washington Post and Ford Foundation President Franklin Thomas prevented Random House from publishing it in "Feminist Revolution." Nevertheless the story appeared in the "Village Voice" on May 21, 1979.
Steinem has always pretended that she had been a student radical. "When I was in college, it was the McCarthy era," she told Susan Mitchell in 1997, "and that made me a Marxist." (Icons, Saints and Divas: Intimate Conversations with Women who Changed the World 1997. p 130) Her bio-blurb in June 1973 MS. Magazine states: "Gloria Steinem has been a freelance writer all her professional life. Ms magazine is her first full-time salaried job."
Not true. Raised in an impoverished, dysfunctional family in Toledo Ohio, Steinem somehow managed to attend elite Smith College, Betty Friedan's alma mater. After graduating in 1955, Steinem received a "Chester Bowles Student Fellowship" to study in India. Curiously, an Internet search reveals that this fellowship has no existence apart from Gloria Steinem. No one else has received it.
In 1958, Steinem was recruited by CIA's Cord Meyers to direct an "informal group of activists" called the "Independent Research Service." This was part of Meyer's "Congress for Cultural Freedom," which created magazines like "Encounter" and "Partisan Review" to promote a left-liberal chic to oppose Marxism. Steinem, attended Communist-sponsored youth festivals in Europe, published a newspaper, reported on other participants, and helped to provoke riots.
One of Steinem's CIA colleagues was Clay Felker. In the early 1960's, he became an editor at Esquire and published articles by Steinem which established her as a leading voice for women's lib. In 1968, as publisher of New York Magazine, he hired her as a contributing editor, and then editor of Ms. Magazine in 1971. Warner Communications put up almost all the money although it only took 25% of the stock. Ms. Magazine's first publisher was Elizabeth Forsling Harris, a CIA-connected PR executive who planned John Kennedy's Dallas motorcade route. Despite its anti establishment image, MS magazine attracted advertising from the cream of corporate America. It published ads for ITT at the same time as women political prisoners in Chile were being tortured by Pinochet, after a coup inspired by the US conglomerate and the CIA.
Steinem's personal relationships also belie her anti establishment pretensions. She had a nine-year relationship with Stanley Pottinger, a Nixon-Ford assistant attorney general, credited with stalling FBI investigations into the assassinations of Martin Luther King, and the ex-Chilean Foreign Minister Orlando Latelier. In the 1980's, she dated Henry Kissinger. For more details, see San Francisco researcher Dave Emory.
Our main misconception about the CIA is that it serves US interests. In fact, it has always been the instrument of a dynastic international banking and oil elite (Rothschild, Rockefeller, Morgan) coordinated by the Royal Institute for Internal Affairs in London and their US branch, the Council for Foreign Relations. It was established and peopled by blue bloods from the New York banking establishment and graduates of Yale University's secret pagan "Skull and Bones" society. Our current President, his father and grandfather fit this profile.
The agenda of this international cabal is to degrade the institutions and values of the United States in order to integrate it into a global state that it will direct through the United Nations. In its 1947 Founding Charter, the CIA is prohibited from engaging in domestic activities. However this has never stopped it from waging a psychological war on the American people. The domestic counterpart of the "Congress for Cultural Freedom" was the "American Committee for Cultural Freedom." Using foundations as conduits, the CIA controlled intellectual discourse in the 1950's and 1960's, and I believe continues to do so today. In "The Cultural Cold War," Francis Stonor Saunders estimates that a thousand books were produced under the imprint of a variety of commercial and university presses, with covert subsidies.
The CIA's "Project Mockingbird" involved the direct infiltration of the corporate media, a process that often included direct takeover of major news outlets. "By the early 1950's," writes Deborah Davis, in her book "Katherine the Great," the CIA owned respected members of the New York Times, Newsweek, CBS and other communication vehicles, plus stringers, four to six hundred in all." In 1982 the CIA admitted that reporters on the CIA payroll have acted as case officers to agents in the field. Philip Graham, publisher of the Washington Post, who ran the operation until his "suicide" in 1963, boasted that "you could get a journalist cheaper than a good call girl, for a couple of hundred dollars a month."
I was born in 1949. Idealists in my parent's generation were disillusioned when the Communist dream of universal brotherhood turned out to be a shill for a brutal despotism. My own generation may discover that our best instincts have also been manipulated and exploited. There is evidence that the 60's drug counter culture, the civil rights movement, and anti-war movement, like feminism, were CIA directed. For example, the CIA has admitted setting up the (National Student Association as a front in 1947 http://www.cia-on-campus.org/nsa/nsa2.html). In the early 1950's the NSA opposed the attempts of the House Un American Activities Committee to root out Communist spies. According to Phil Agee Jr., NSA officers participated in the activities of SNCC, the militant civil rights group, and Students for a Democratic Society, a radical peace group.
According to Mark Riebling, the CIA also may have used Timothy Leary. Certainly the agency distributed LSD to Leary and other opinion makers in the 1960s. Leary made a generation of Americans turn away from active participation in society and seek fulfillment "within." In another example of the CIA's use of drugs to interfere in domestic politics, Gary Webb describes how in the 1980's, the CIA flooded Black ghettos with cocaine.
I won't attempt to analyze the CIA's motivation except to suggest what they have in common: They demoralized, alienated and divided Americans. The elite operates by fostering division and conflict in the world. Thus, we don't realize who the real enemy is. For the same reason, the CIA and elite foundations also fund the diversity and multicultural movements.
Feminism has done the most damage. There is no more fundamental yet delicate relationship in society than male and female. On it depends the family, the red blood cell of society. Nobody with the interests of society at heart would try to divide men and women. Yet the lie that men have exploited women has become the official orthodoxy.
Man loves woman. His first instinct is to nurture ("husband") and see her thrive. When a woman is happy, she is beautiful. Sure, some men are abusive. But the vast majority have supported and guided their families for millennium.
Feminists relentlessly advance the idea that our inherent male and female characteristics, crucial to our development as human beings, are mere "stereotypes." This is a vicious calumny on all heterosexuals, 95% of the population. Talk about hate! Yet it is taught to children in elementary schools! It is echoed in the media. Lesbians like Rosie O'Donnell are advanced as role models.
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